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A rare original dramatic offering from cable’s American Movie Channel, the weekly Mad Men TV Show was the story of a major advertising agency operating from New York’s Madison Avenue in 1960. The most successful ad executive at the Sterling Cooper Agency was handsome, indefatigable Don Draper (Jon Hamm), who was not only expert at “playing the game” while servicing accounts ranging from cigarette manufacturers to political candidates, but was also an accomplished ladies’ man, frequently and shamelessly dipping deep into the agency’s all-female secretarial pool. It was crucial for Draper to always be at the top of his professional form: there were scores of hungry young executives who were eager to topple him from his perch and become Sterling Cooper’s new top dog.
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The fourth season premiere of “Mad Men” was made a huge celebration that New York Times Square was exclusively occupied for more than three hours on Sunday, July 25. A screening of the first return episode began at 9 P.M., an hour before the broadcast on AMC, and attended by the series’ cast January Jones and Elisabeth Moss.
Many of the attendees channeled the ’60s style, competing with the opening act of a vintage fashion show judged by “Project Runway” alum Chris March. The crowd was also entertained with a trivia quiz about the show. The leading ladies arrived at around 8.45 P.M., in time when the 7,000 plus people have packed the place.
Moss happened to have her birthday on July 24, so the moderator invited her on stage along with Jones and brought in a giant cake. The audience serenaded her with “Happy Birthday”. A little over 9 P.M., the theme song to “Mad Men” marked the beginning of the new season and the crowd fell into silence.
Speaking about her character’s changes, Moss told L.A. Times, “When she started at the agency, she was 20. I was very different at 20 than I was at 25. The hierarchy of the agency is smaller. It allows for her to have more power and have more to say and be listened to.” Jones meanwhile said about Betty, “She’s emotionally immature. She doesn’t want to know herself as a woman, so you see her constantly on the show struggling with being unsatisfied but it’s really her own making.”
Over at home, “Mad Men” drew 2.9 million viewers, the biggest number that the series has pulled so far. For comparison, the first season of the Emmy-winning series averaged 925,000 viewers. 
Watch promo of Mad Men Season 4 Episode 2 Christmas Comes But Once a Year
“Mad Men” devotees are eagerly awaiting the show’s fourth-season preem Sunday. Execs at AMC and Lionsgate TV are looking farther down the road for a deal that would settle the show’s long-term future.
AMC’s license term for Lionsgate’s “Mad Men” runs through the show’s fifth season. Execs from the net and studio are in the early stages of hammering out a deal to extend the contract through a sixth season, and possibly beyond. Because Cablevision-owned AMC has never had to manage a license fee renegotiation for a hit series, the cabler has hired top legal eagle Jim Jackoway of Jackoway Tyerman to help navigate the deal.
The impetus for AMC and Lionsgate to cut a deal sooner rather than later stems from the fact that “Mad Men” creator/exec producer Matthew Weiner’s deal with Lionsgate for the show is up after the upcoming season. According to sources familiar with the situation, Lionsgate wants to know what kind of coin it’ll get from AMC before it turns to talks with Weiner.
Of course, Lionsgate is looking to maximize the value of “Mad Men” in a new deal with AMC. The show that has claimed the drama series Emmy two years in a row transformed AMC into a player in original series programming. And by basic cable standards, the 1960s period drama is a high-end production with a budget estimated at around $2.5 million per seg, or more in some instances. AMC’s present per-seg license fee for “Mad” is pegged by industry sources at a little more than $2 million per episode.
It’s understood that Lionsgate has the ability to shop the show to other nets for its sixth season, though AMC has the right to match any competing offers. Sources emphasized that the intent on all sides is to work out a deal that keeps “Mad Men” on its original home.
Weiner has mused publicly that six seasons might be the right number for his vision of taking “Mad Men’s” central players through the decade of the 1960s, but he’s never made a definitive statement on the oft-asked question of how long he sees the show running.
In a statement on the talks with Lionsgate, AMC said: “We never comment on ongoing negotiations. Right now our major focus is on launching season four on July 25th.”
Lionsgate TV prexy Kevin Beggs would only say that the studio “looks forward to ‘Mad Men’ being on the air for many years to come.”
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The ladies of “Mad Men” stole the attention at the red carpet event for the fourth season premiere. The ever curvy Christina Hendricks preferred to go all black with lace details while Elisabeth Moss stunned onlookers with her green one-shoulder. Noticeably skipping the event was January Jones who plays lead character Betty Draper in the series.
Jon Hamm meanwhile brought along his long-term girlfriend Jennifer Westfeldt to the affair. He detached himself from her for a while to take a picture with the series’ creator Matthew Weiner. Children were also present since Weiner decided to take his whole family to the event and Kiernan Shipka aka Sally Draper also walked down the carpet.
The other cast spotted there were Jarred Harris, Robert Moore, Rich Sommer, Christopher Stanley and Vincent Kartheiser among others. Fellow AMC stars Betsy Brandt and Aaron Paul who star on “Breaking Bad” came as guests.
“Mad Men” begins the new season on July 25, picking up Thanksgiving 1964 aka a year from the last season’s finale as the start. “These people are going to have a whole new set of problems, and it will keep me from repeating myself,” Weiner said. “Why tell the same story again, about how bad Don’s marriage is? We told that story. I also felt that we’d covered every inch and corner of Sterling Cooper’s offices.”
The longer ‘Mad Men‘ is on the air, the tougher Matthew Weiner’s job gets. As well as he knows the world he’s created and the characters within it, it has to get tougher to keep the show from repeating itself. There are only so many cigarettes Don Draper can smoke, only so many whiskeys the staff can drink, only so many butts for Roger Sterling to pat before the show becomes a parody of itself. Even Draper’s deep introspective moments have the potential to get old if nothing else is going on.
Perhaps Weiner sensed this as well; he made a smart move at the end of season 3 by throwing much of what viewers knew about the show and its characters out the window. Season 4, which debuts on AMC on Sunday, July 25 at 10PM ET, picks up that trend, and while the season premiere is entertaining — and actually laugh-out-loud funny at times — it leaves a viewer excited and a little scared at the same time.
If you’re a regular viewer, you know that the end of season 3 had both Don Draper’s personal and professional lives in tumult. Betty couldn’t take Don’s lies anymore, and seeking to break free of the domestic prison she put herself in, she divorced Don and flew to Reno to get married to Henry Francis.
In the meantime, faced with the prospect of the firm they love being sold by their British owners to a much larger firm, Draper, Sterling, and Bert Cooper ask Lane Pryce to fire them. Pryce, who’s about to be shipped to India, quits and joins them. The four of them form a new firm and snag Sterling Cooper’s best folks — Peggy Olson, Pete Campbell, Joan Holloway, and Harry Crane — to form a new firm, which begins its business from Don’s temporary home at the Pierre Hotel.
Season 4 picks up a few months down the line from that point, with the new Sterling Cooper Draper Pryce in a more permanent situation than that hotel room but still struggling to establish itself. Draper, on the other hand, knows what he is: he’s an ad guy, a creative genius who knows how people think. Yes, he’s been that guy for the last three seasons, but now there’s nothing standing in his way: he’s a founding partner in a firm, he doesn’t have a wife to go home to (or cheat on) every night, and he only sees the kids on weekends.
The season premiere examines what that change means to Draper, and how the guy who’s spent the last decade really trying to figure out who he is and how it fits within the Don Draper persona he’s built for himself deals with these changes. By the end of the episode, both he and the viewer seem to have a much better idea of how Draper is going to act going forward.
But that’s what scares me about this season premiere. There are some genuinely funny moments in the episode, many of them involving Peggy, who seems to have grown up before everyone’s eyes. But much of the deep introspection that has made the show a must-watch wasn’t there. Not saying it won’t be there in future episodes, but now that the worlds of ‘Mad Men’ are being split even more than they have in the past — Betty’s world with Henry, Don and the new firm, Don dealing with his new life, possible interactions with the old Sterling Cooper — there’s a worry there that Weiner will fall into the trap of focusing on all the changes and not what made the show one of the best on TV for the last three years.
Then again, Weiner being the writer he is, I’m sure he’s got a ton of surprises up his sleeve for season 4. There’s the country’s changing mores to deal with and the fact that, by the mid-’60s, television was becoming much more dominant in the advertising world.
Can Don and Roger go out drinking, smoking and womanizing like they used to? Is Don finding the adventure and risk he needs now that he can sleep with whoever he wants out in the open? Will Betty continue to morph into a Westchester County version of Joan Crawford as she navigates her latest domestic captivity? ‘Mad Men’ has a tough act to follow after last year’s rousing finale and the incredible season of its Sunday at 10PM ET slot-mate, ‘Breaking Bad.’ I’m looking forward to seeing if Weiner and company are up to the challenge.
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Crisis averted, “Mad Men” will air as scheduled on July 25. AT&T U-Verse and owner of AMC, Rainbow Media, have resolved their problem and released a joint statement to confirm that the channel will remain under AT & T service and subscribers will be able to enjoy it in the months to come.
AT & T and Rainbow had a disagreement which was made public last week as AMC warned its viewers that the channel may go dark after July 14 when their contract expired. Rainbow accused AT & T of putting corporate needs above the customers’ while AT & T said, “Rainbow channels are among the least-watched and most overpriced per viewer.”
On Thursday, July 15, they decided to announce the good news through a joint statement: “We are happy to report that AMC, IFC and WE tv will remain on AT&T U-verse TV. We’re very satisfied that we were able to reach the fair deal we wanted for our customers – one that includes the right content, across platforms, at prices that are in line with the marketplace, and that helps us with important strategic content initiatives. We are very grateful to our customers for their support.”
The framed letter from President Obama hangs in the hallway outside Matt Weiner’s office. “He wrote to say he enjoyed Season 3,” the Mad Men creator says, giggling in disbelief. “He was congratulating me on my and the show’s success, and I wanted to say, ‘But wait, you’re the successful person.’”
The president was merely speaking for the quality-TV nation. In three seasons, Mad Men has gone from being a cool retro diversion to one of the most stylish, seductive shows in TV history. Last season ended in a mushroom cloud of hope and despair. Don Draper (Jon Hamm) and his most trusted companions in advertising walked away from the Sterling Cooper agency to launch a risky start-up. But Don’s personal life imploded as his wife, Betty (January Jones), slapped down divorce papers and flew off to Reno with political aide Henry Francis (Christopher Stanley). Last we saw, Don was moving to Greenwich Village to start over.
The Mad Men crowd is notoriously tight-lipped, but Weiner and several cast members agreed to tease what’s ahead for Season 4.
“It might have been impulsive, but making this break from Don made Betty feel stronger and more powerful than she ever has,” Weiner says. That doesn’t mean she’s any closer to asking “Who am I?,” the theme that dominates the new season. As the show moves into the more turbulent part of the ’60s, “all the characters are seeing consequences to their [past] actions,” says Hamm, though not everybody’s ready for the era’s consciousness raising. Says Weiner, “There’s a feeling on the writing team, about Betty, that she’s a woman who will learn as little about herself as possible.”
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A TV carrier and a popular TV content provider are not seeing eye to eye when it comes to reimbursement rates and viewers might be left with a blank screen. This time it’s the AT&T U-verse broadband service versus Rainbow Media, which operates AMC, WE tv and IFC.
In the balance is the season debut of the AMC hit ‘Mad Men,’ which airs July 25.
The two sides have been negotiating unsuccessfully for the past six months, according to a report on Deadline Hollywood. Their previous agreement expired July 1 and a new deadline is midnight, July 14.
“It is troubling that AT&T is threatening to yank AMC, WE tv and IFC, and leave their customers without the hottest show on television, AMC’s ‘Mad Men,’ just before the premiere of the new season,” Rainbow Media said in a press release. “AT&T is acting in an aggressive manner that puts their corporate interests ahead of their customers.”
AT&T feels differently.
“Based on aggregate data we obtained from third party industry sources and our own subscribers, some of the Rainbow channels are among the least-watched and most overpriced per viewer compared to other major programming providers,” AT&T spokeswoman told Deadline Hollywood. “They’re also trying to force the renegotiation of a contract for one of their other channels that is not yet expired and force us to carry a new channel that wasn’t even formally presented to us until after the recent July 1 contract extension. We want our customers to know that we can’t and won’t give in to unreasonable deals that unfairly disadvantage our customers.”
The he said-she said posturing of AT&T and Rainbow, a subsidiary of Cablevision, is nearly identical to the recent brush ups between Cablevision and Scripps Networks Interactive, the company behind the Food Network and HGTV, and Time Warner Cable and Fox in January. The latter disagreement did not result in the loss of programming for subscribers in the East but the former did result in a three-week loss of the Scripps channels by Cablevision’s Northeast subscribers. In March, ABC and Cablevision went head-to-head, resulting in the lost of a portion of the Academy Awards broadcast.
U-verse is available in 22 states.
